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INTRODUCTION
The Voodoo Series was first developed during 1992 and 1993 to provide players
with a link to vintage tones but also to have access to modern features and
wide tone control.
The tones have roots and a heritage from my valuable associations with the many
famous players who have helped in their development.
"FORWARD EVER - BACKWARD NEVER"
Our design philosophy has always been one of continual development and evolution.
The fact that I was there personally helping produce the guitar sound in the studio for
many landmark recordings by Jimi and many other players assures the authenticity and integrity
of the tone. After all being there in person and experiencing the tone in the studio and then
following it through to the final finished product has given me a unique view from start to
finish.
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FEATURES
The Voodoo Series brings to the player both:
Hard Wire and Dual Buffered Outputs.
This feature ends the question of which to use as you can hear for yourself which type
suits your application.
The buffered outputs can be used to drive two devices or signal chains simultaneously
without any signal loss or degradation of quality. Long cable lengths are not subject to
high frequency loss and can be driven perfectly.
Easy battery access.
The battery cover slides to reveal the battery so no more screws to loose.
Rugged USA Carling Footswitch
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TECHNICAL
Powering is either from a single 9 Volt battery or mains adapter(not included).
Extensive internal filtering assures quiet operation with commercial adapters.
The Voodoo Series
all have optimised passive tone controls that have been very carefully voiced to give each
one a unique and distinctive voice that still retains the dynamics and detail of the original
guitar tone. This is one feature that sets our boxes apart from the norm.
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TIPS
Always test each pedal on it's own using a short cable into the amp and with a short
guitar lead. This is to enable you to obtain a reference point for the tone. Then as you add the
unit into your signal chain it is easy to tell if there has been any loss of quality.
If you are using a multiple output power supply make sure that as you add pedals hum or noise
does not increase. In an ideal situation you would provide separate power supply for each unit to eliminate
ground loops and induced electrical noise.
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SELECTING
It is recommended to first audition the effects using a clean setting on an amplifier at medium
volume levels.
This set-up will enable you to hear the pedals characteristics as cleanly as possible whilst
trying not to have the amplifier distortion dominate the overall sound. As some of the models have the
output capability to overdrive the 1st stage this is the place to start.
As you understand the pedals sounds you can of course progress to finding a sweet spot
for the particular overall sound level you are operating at.
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