ONE STOP MODERN UNIQUE SOLUTION FOR PRISTINE ANALOGUE RECORDING

456HD® ANALOGUE TAPE SIMULATION FOR BOTH RECORDING AND POST PRODUCTION

The Brand New 456 Microphone Pre-Amplifier is a true stand alone one stop solution for analogue recording with a recording chain having a history going back to 1968 and complimented with our ground breaking 456HD® Analogue Solid State Tape Simulation.
This enables the sonic qualities of the great landmark golden era recordings to be recreated today using modern recording techniques.

Experiment and change the inner parameters of the VISAGE to create your own custom sound as I did in the Studio with Jimi.

The 4644 Drive harmonics are generated by our PROPRIETARY FEED FORWARD DESIGN with zero phase, time delay or any other nasty artefacts that simply means it is so fast that it will follow and track all your playing techniques perfectly. This optimised series of harmonics produced are very musical and natural sounding over a wide dynamic range.

The 615 smooth ANALOGUE DYNAMICS PROCESSOR is an ultra high speed analogue unique design that controls dynamics in a new and innovative way.
Designed to be used both in the studio or live it has dual operating levels with professional headroom performance.

The Octavia Classic has all the same famous tones of the Rocket Shape Octavia with an added tone control section which makes the pedal even more versatile. It comes in our new smaller standard enclosure with Hard wire and Dual buffered outputs in a package that is more flexible and pedal board friendly.

In 1964 I designed my first fuzz guitar effects pedal that was used by Jimmy Page and Big Jim Sullivan and featured on many early hit records. I am pleased to announce that after over 40 years this early ground breaking fuzz will be available again. It uses carefully selected germanium transistors and has the same distortion section as the original 1964 version.

The 456HD® Analogue Dynamics Process is an innovative new way to experience modern dynamic and harmonic control in real time with zero latency. It was inspired by the desirable qualities of tape recording and can reproduce their dynamics and harmonic properties accurately plus improves the overall dynamic performance of Digital Recording. After 1 year of testing and development with some top producers from the UK and being featured on many records it has been recognised that this process is a game changer and not to be thought of as just another tape emulator. It brings a far more sophisticated approach to dynamic control and it's performance exceeds that of any tape recorder previously produced now setting a new benchmark.

The ultra high speed analogue processing will effectively improve the dynamics both when using it as a pre-recording analogue processor before a conventional DAW and also in post playback from the DAW. Live recording or tracking using multiple instances of the 456HD® are very beneficial for Drum, Vocal and Instruments and in many instances obviate the need for further limiting to control input levels. What the 456HD® Process brings to the table cannot be duplicated by any digital plug-in and compliments their use as all of the difficult control of the source signal has been taken care of by using the 456HD® Process so as they say give it a listen.

The Voodoo-Vibe+ is the latest evolution of the Voodoo-Vibe which is the leader in Uni-Vibe type effects used by many leading players. It is not a clone but an evolution that has a long history of development. It provides Chorus, Vibrato and also has a Tremolo section as well.The addition of Pulse Square waveforms to the normal Classic waveforms has greatly extended the sonic capabilities. The Speed of the sweep generator has also been expanded together with the Symmetry Range. These improved features enable many new and unheard effects to be produced.

Technically the design is very advanced and today it's performance still stands out and compares very favourably to newer designs. It is more open and dynamic sounding than many of the old type of traditional Radio Station Type of Limters The circuit path is extremely clean and transparent with an extended frequency response to 100Khz. The output is Class A with a very low output impedance. The Class A circuit audio path provides the ultimate transparency for the audio. It is the way the unit controls both the positive and negative peaks seperately that makes this unit different from others and remains very natural sounding even with large amounts of gain reduction.
So take time out to listen to a truly important peice of audio equipment with an impecable heritage and history to understand and "experience the difference".

The AMP+ SERIES are unlike any other devices and represent the cutting edge of our new pioneering design technology in allowing you to "EXPERIENCE THE DIFFERENCE" when hearing and recording guitar tones that have made rock and roll history.
You can now easily create your choice of classic British or American flavoured guitar tones or SVT inspired Bass tones into any Recording Device, DAW or Sound System at home, studio or at a live gig with the minimum amount of fuss and equipment.
They are actually amplifiers in the own right that share the same structure, multi stage architecture and equalization as their tube counterparts.

They operate and feel just like a tube amplifier with controls all having similar function and feel. The input gain is the same as regards to distortion and the guitar behaves just as you would expect. Having real control knobs makes dialling in your sound fast and simple just treat the AMP+ as an amplifier.
Your effects pedal train can be connected into the AMP+ just as normal with no unexpected interface problems.

LIVE PERFORMANCE You can use the AMP+ as an addition to your backline amplifier or replace it altogether and feed to the front of house and stage and side fill monitors. In our road tests we have found when using it live the guitarist not only enjoys the increased dynamics and detail but a great sound on the PA System. In addition the on stage volume can be reduced and a repeatable consistent tone created without the wild variable of microphones onstage.

Our latest evolution with improved Sweep range and adjustment. Low profile and balanced operating posture. Dual mode operation allows auto switching between the two functions of wah and volume. Players can now change from wah and control their volume instantly they have finished using the wah function. The standard bypsss mode is the default factory preset. Discover the wah tones I developed for Jimi and used by him at the "Band of Gypsys" concert.

The VIBE TC has the same CHORUS sounds as the VOODOO VIBE with a smaller footprint and PERFORMANCE CONTROL over SPEED and INTENSITY.

Accurate control of DRIVE level can now be made live whilst playing or find that sweet tone easily with the large DRIVE knob. The small size will help where space is at a premium on your crowded pedal board. The Model Range of the TC Series is based on our excisting range but with the added feature of PERFORMANCE CONTROL which adds a new dimension to the use of our famous effects.

The Voodoo-1 Classic distortion section uses a unique combination of the best discrete and IC design techniques to emulate the type of distortion found on many classic tube amplifiers. It allows the player to create a wide range of distortion effects from mild to extreme whilst reacting to the most subtle nuances in touch and playing.

The Voodoo-Bass Classic adds a gutsier bass equalisation than the Voodoo-1. This enables players who favour single coil pickups to reproduce quite effortlessly the rounded, bluesy sound of classic pickups such as the Gibson P90 ie: Fender to Gibson sound. This guitar effects pedal also works very well with Bass Guitar players who want the joys of adding both compression and distortion to their sound.

The Voodoo-Axe Classic has many of the same basic sound qualities of the original Axis but extends and modifies these tones to suit today's music. I have kept this great classic fuzz sound and added a very effective Tone control which tightens the low end response without becoming woolly and indistinct. The very tight and extended low end was expressly designed to compliment the use of dropped tunings and dynamically responds very well to this new range of modern sounds.It also works well as a power booster.

The Voodoo-Blues is a dual purpose guitar pedal with clean sustain and overdrive. It can be set to provide both overdrive and clean boost and uses a unique and completely different circuit to produce a very musical set of overtones with feedforward compression as it slips into overdrive. Full dynamics and detail are preserved and it cleans up perfectly with the guitar volume control to give ultimate player control. It has been designed to give the discerning player an alternative for the Tube Screamer type of overdrive and we urge you to compare and "EXPERIENCE THE DIFFERENCE"

The Voodoo-Boost is now housed in our new box and features both Hard Wire and Dual Buffered Outputs plus easy battery access. It controls not only volume boost but also has a fatness control and gain/distortion control to give a truly wide range of operational possibilities. The Voodoo Boost is capable of a significant distortion free volume boost to the amplifiers input at the touch of the footswitch. The overall output capability of the unit is sufficient to make the amplifier stages distort severely.

I first started designing pedals in 1961 and produced a Treble Booster that was tried and used by my friends including Jimmy Page who then played in local bands. The Concorde+ Treble Booster uses both silicon and germanium transistors in a low noise class A silicon drive circuit with passive tone shaping to drive a fully modern optimised germanium type treble booster.

Our most famous and copied pedal. The debut of the unique frequency doubled tone by Jimi Hendrix on "Purple Haze" in 1967 began my relationship with Jimi as his FX Guru. It has been used by many leading players and as the designer and originator of the Octavia I welcome you to experience the unique tones that this pedal delivers.

The Axis Fuzz was developed in early 1967 to give an additional series of tone colours for Jimi Hendrix. This guitar effect is named after it's most famous use on the title track of the album"Axis Bold as Love". It can also be heard extensively on the "Band of Gypsys" and various other post 1968 recordings by Jimi. it's It cleans us very well from the guitar volume control and retains its large range of tone colours.The guitar does not loose identity and is truly a modern classic vintage guitar effect used by many leading performers today.

Our Classic Fuzz incorporates the same demon tweeks that I personally developed for Jimi. Using two carefully selected Germanium transistors this guitar effect is unquestionably the most accurate vintage fuzz face type effect manufactured today that replicates the sound of the early Hendrix tracks. Our Classic Fuzz has the genuine pedigree and heritage and you can rest assured of having a device designed and built by the man who was there.

The Spitfire Distortion produces the classic triode tube type distortion that is particularly rich in harmonics that are very musical and pleasing to the ears. Chords can be used at high levels of distortion without sounding raucous or just plain nasty. The Spitfire maintains the guitar's original tone characteristics with the open sound, detail and sonic heritage that have their roots in my association with the making of Jimi's recordings.