2015 PRODUCT RANGE

Octavia Classic

The Octavia Classic has all the same famous tones of the Rocket Shape Octavia with an added tone control section which makes the pedal even more versatile. It comes in our new smaller standard enclosure with Hard wire and Dual buffered outputs in a package that is more flexible and pedal board friendly.

LINK TO MORE INFORMATION


 Octavia Classic

Page 1 Classic

In 1964 I designed my first fuzz guitar effects pedal that was used by Jimmy Page and Big Jim Sullivan and featured on many early hit records. I am pleased to announce that after over 40 years this early ground breaking fuzz will be available again. It uses carefully selected germanium transistors and has the same distortion section as the original 1964 version.

LINK TO MORE INFORMATION


 New Limited Edition
456HD
The 456HD Process is in essence is an All Analogue Solid State Tape Recorder the Output of which can be recorded by conventional Digital recording techniques whether the application is for Digital Mastering CD's, Stereo Bus Processing, Mixing and Tracking applications.
It uses the latest ultra-high speed analogue design techniques to accurately duplicate the dynamic and harmonic properties of analogue tape and vintage tape recorders in real time with zero latency or any other time smearing artefacts.

LINK TO MORE INFORMATION


Voodoo-Vibe new style

Voodoo-Vibe +

The Voodoo-Vibe+ is the latest evolution of the Voodoo-Vibe which is the leader in Uni-Vibe type effects used by many leading players. It is not a clone but an evolution that has a long history of development. It provides Chorus, Vibrato and also has a Tremolo section as well.The addition of Pulse Square waveforms to the normal Classic waveforms has greatly extended the sonic capabilities. The Speed of the sweep generator has also been expanded together with the Symmetry Range. These improved features enable many new and unheard effects to be produced.

LINK TO MORE INFORMATION


AMP+ SERIES


The AMP+ SERIES are unlike any other devices and represent the cutting edge of our new pioneering design technology in allowing you to "experience the difference" when hearing and recording guitar tones that have made rock and roll history.
You can now Plug 'n Play 'n Record your choice of classic British or American flavoured guitar tones or SVT inspired Bass tones into any Recording Device, DAW or Sound System at home, studio or at a live gig with the minimum amount of fuss and equipment.
They are actually amplifiers in the own right that share the same structure, multi stage architecture and equalization as their tube counterparts.
They operate and feel just like a tube amplifier with controls all having similar function and feel. The input gain is the same as regards to distortion and the guitar behaves just as you would expect. Having real control knobs makes dialling in your sound fast and simple just treat the AMP+ as an amplifier.
Your effects pedal train can be connected into the AMP+ just as normal with no unexpected interface problems.
They are 100% Solid State with a completely DISCRETE ANALOGUE SIGNAL PATH that has ZERO LATENCY and a better DYNAMIC RANGE than that of a CD resulting in a noise free output that follows every subtlety and nuance of your playing style perfectly.
There is no question that the OUTPUT DYNAMICS are more detailed and exhibit more PRESENCE than obtained from the traditional setup of a microphone in front of a speaker or by using a plugin with your DAW.
The OUTPUT SECTION distorts in a similar manner to classic output tubes and exhibits the compression and harmonics that people love. The AMP+ is more detailed in this respect as it does not have any amplifier lag, phase smear or microphonics that a tube amp has when cranked. You can now experience the full detail of your guitar at any operating level.
The OUTPUT TUBE COMPRESSION is there as well adding to the natural playing experience and you now also have a very effective PEAK LIMITER controlling final output level.
This DYNAMIC SOUND with the full presence and detail that you have not experienced before will be a surprise and require a new evaluation of your previous guitar tones. It will inspire you to play better than ever. The added detail also enables you to better place the track in the MIX as it can now be heard with more clarity. Having the luxury of always creating full range HD AUDIO makes further manipulation easy and successful. Post Production - Speaker Simulation - EQ - Delay or other effects can be applied to this full range sound to obtain the best possible results.
TOTAL ISOLATION is obtained with the AMP+ and multiple tracking of instruments is easy in any Location Enviroment. The ability to record these professional quality tones anywhere will change the way songs can be recorded or created. There is no need in most cases to re-record a great idea or feel if it has been captured using an AMP+ and recorded onto a digital recording device. A minimum amount of equipment is needed and it is a great advantage of having a small compact unit that interfaces with any Recording Device, DAW or Sound System be it a home, studio, backstage or live at a gig.
LIVE PERFORMANCE You can use the AMP+ as an addition to your backline amplifier or replace it altogether and feed to the front of house and stage and side fill monitors. In our road tests we have found when using it live the guitarist not only enjoys the increased dynamics and detail but a great sound on the PA System. In addition the on stage volume can be reduced and a repeatable consistent tone created without the wild variable of mic'ing an amp onstage.
SETUP SPEED AND REPEATABILITY It is as easy as plugging into any amplifier and adjusting the controls. The Peak Limiting making recording level adjustment a one step process. Consistent sound equals better performance not to mention not having to lug around heavy amps.
COST SAVINGS Eliminating excess tour gear is becoming the norm as airline fees have risen and it costs a lot to achieve the same sound as the AMP+ using traditional setups with an amplifier and microphone.

LINK TO MORE INFORMATION


Super 57
Amp+ M59
Amp+ BASS
Bel Air Wah

Bel Air Wah

Our latest evolution with improved Sweep range and adjustment. Low profile and balanced operating posture. Dual mode operation allows auto switching between the two functions of wah and volume. Players can now change from wah and control their volume instantly they have finished using the wah function. The standard bypsss mode is the default factory preset. Discover the wah tones I developed for Jimi and used by him at the "Band of Gypsys" concert.

LINK TO MORE INFORMATION


VOODOO VIBE TC

PERFORMANCE CONTROL
OF SPEED and INTENSITY


The VIBE TC has the same CHORUS sounds as the VOODOO VIBE with a smaller footprint and PERFORMANCE CONTROL over SPEED and INTENSITY.

LINK TO MORE INFORMATION


 Performance Control

VOODOO TC SERIES

PERFORMANCE CONTROL
OF DRIVE LEVEL


Accurate control of DRIVE level can now be made live whilst playing or find that sweet tone easily with the large DRIVE knob. The small size will help where space is at a premium on your crowded pedal board. The Model Range of the TC Series is based on our excisting range but with the added feature of PERFORMANCE CONTROL which adds a new dimension to the use of our famous effects.

LINK TO MORE INFORMATION


 Performance Control
RM 58 Limiter

RM 58 Limiter

The RM 58 is still regarded today by many leading producers as a Holy Grail piece of vintage analogue equipment and was first manufactured in New York by Roger Mayer in 1970. The latest evolution of the RM 58 retains the same Class A audio circuit path and the FET gain reduction method. The overall performance has also been improved and both professional +4dBV and semi-pro -10dBV operating levels are catered for. It is both Instrument and Digital friendly and is being used already by top producers.

LINK TO MORE INFORMATION


Voodoo-1 Classic

The Voodoo-1 Classic is now housed in our Classic Style enclosure and features both Hard Wire and Dual Buffered Outputs.

The Voodoo-1 Classic distortion section uses a unique combination of the best discrete and IC design techniques to emulate the type of distortion found on many classic tube amplifiers. It allows the player to create a wide range of distortion effects from mild to extreme whilst reacting to the most subtle nuances in touch and playing.

LINK TO MORE INFORMATION


Voodoo-1 new style

Voodoo-Bass Classic

The Voodoo-Bass Classic is now housed in our Classic Style enclosure and features both Hard Wire and Dual Buffered Outputs.

The Voodoo-Bass Classic adds a gutsier bass equalisation than the Voodoo-1. This enables players who favour single coil pickups to reproduce quite effortlessly the rounded, bluesy sound of classic pickups such as the Gibson P90 ie: Fender to Gibson sound. This guitar effects pedal also works very well with Bass Guitar players who want the joys of adding both compression and distortion to their sound.

LINK TO MORE INFORMATION


Voodoo-Bass new style

Voodoo-Axe Classsic

The Voodoo-Axe Classic is housed in our Classic Style enclosure and features both Hard Wire and Dual Buffered Outputs.

The Voodoo-Axe Classic has many of the same basic sound qualities of the original Axis but extends and modifies these tones to suit today's music. I have kept this great classic fuzz sound and added a very effective Fatness control which tightens the low end response without becoming woolly and indistinct. The very tight and extended low end was expressly designed to compliment the use of dropped tunings and dynamically responds very well to this new range of modern sounds.It also works well as a power booster.

LINK TO MORE INFORMATION


Voodoo-Axe new style

Voodoo-Blues

The Voodoo-Blues is a dual purpose guitar pedal with clean sustain and overdrive. It can be set to provide both overdrive and clean boost and uses a unique and completely different circuit to produce a very musical set of overtones with feedforward compression as it slips into overdrive. Full dynamics and detail are preserved and it cleans up perfectly with the guitar volume control to give ultimate player control. It has been designed to give the discerning player an alternative for the Tube Screamer type of overdrive and we urge you to compare and
"experience the difference"  

LINK TO MORE INFORMATION


 New!! Clean Boost and Overdrive

Voodoo-Boost

The Voodoo-Boost is now housed in our new box and features both Hard Wire and Dual Buffered Outputs plus easy battery access. It controls not only volume boost but also has a fatness control and gain/distortion control to give a truly wide range of operational possibilities. The Voodoo Boost is capable of a significant distortion free volume boost to the amplifiers input at the touch of the footswitch. The overall output capability of the unit is sufficient to make the amplifier stages distort severely if required. The output level from guitar pickups is usually not enough to overload the 1st stage significantly so this is a new area to try.

LINK TO MORE INFORMATION




Voodoo-Boost new style

Concorde+
Treble Booster

I first started designing pedals in 1961 and produced a Treble Booster that was tried and used by my friends including Jimmy Page who then played in local bands. The Concorde+ Treble Booster uses both silicon and germanium transistors in a unique configuration to obtain the best tone qualities from the marriage. The Concorde + however departs from the clones produced today and uses a unique approach of combining a low noise class A silicon drive circuit with passive tone shaping to drive a fully optimised germanium treble booster.

LINK TO MORE INFORMATION


Concorde + Treble Booster

Rocket Series

Octavia

Our most famous and copied pedal. The debut of the unique frequency doubled tone by Jimi Hendrix on "Purple Haze" in 1967 began my relationship with Jimi as his FX Guru. It has been used by many leading players and as the designer and originator of the Octavia I welcome you to experience the unique tones that this pedal delivers.

LINK TO MORE INFORMATION


Octavia

Axis

The Axis Fuzz was developed in early 1967 to give an additional series of tone colours for Jimi Hendrix. This guitar effect is named after it's most famous use on the title track of the album"Axis Bold as Love". It can also be heard extensively on the "Band of Gypsys" and various other post 1968 recordings by Jimi. it's It cleans us very well from the guitar volume control and retains its large range of tone colours.The guitar does not loose identity and is truly a modern classic vintage guitar effect used by many leading performers today.

LINK TO MORE INFORMATION


Axis

Classic Fuzz

Our Classic Fuzz incorporates the same demon tweeks that I personally developed for Jimi. Using two carefully selected Germanium transistors this guitar effect is unquestionably the most accurate vintage fuzz face type effect manufactured today that replicates the sound of the early Hendrix tracks. Our Classic Fuzz has the genuine pedigree and heritage and you can rest assured of having a device designed and built by the man who was there.

LINK TO MORE INFORMATION


Classic

Spitfire

The Spitfire Distortion produces the classic triode tube type distortion that is particularly rich in harmonics that are very musical and pleasing to the ears. Chords can be used at high levels of distortion without sounding raucous or just plain nasty. The Spitfire maintains the guitar's original tone characteristics with the open sound, detail and sonic heritage that have their roots in my association with the making of Jimi's recordings.

LINK TO MORE INFORMATION


Spitfire

Mongoose

The MONGOOSE FUZZ has enough fat fuzz and bottom end to keep a metalhead happy. The Mongooose uses a combination of both discrete and IC analogue design techniques. The clipping circuit primarily comes from a passive diode circuit resulting in smooth compression and harmonic overtones providing a smooth and transparent transition from clean to overload states.

LINK TO MORE INFORMATION


Mongoose

Stone

The Stone is a modern evolution from the fuzz pedals I modified for Jimi. It maintains the guitars original tone characteristics with the open sound and sonic heritage that is the trademark of Jimi's recordings and will appeal to those players who strive for a modern sound with strong roots in the past. It is a very Low Noise high gain design, stable, free from radio and other electronic interference and has a greatly increased output level that enables it to overdrive the front end of any amp as hard as you want.

LINK TO MORE INFORMATION


Stone